Anthologies and bibliography
The essential anthologies, key collections and the major translations.
ISBNs are given where they have been confirmed from a publisher or a bibliographic authority. They are never reconstructed, so where none appears, none has been established.
Confirmed so far: Queering the Green (9781916222830) and Green Carnations (978-1-8383142-1-7), both below, and Mark Ward's Nightlight (Salmon Poetry, 2023, 9781915022288).
The essential anthologies
The Gaelic tradition
An Duanaire 1600–1900: Poems of the Dispossessed Ed. Seán Ó Tuama, with verse translations by Thomas Kinsella. The essential bilingual gateway to the Gaelic tradition — facing-page Irish and English, covering the poetry of dispossession from the collapse of the bardic order to the nineteenth century. If this site recommends one book for the Gaelic tradition, it is this one.
The New Oxford Book of Irish Verse Ed. Thomas Kinsella. Kinsella's own selection across the whole tradition, in both languages, with his translations. Notable for taking the Irish-language material as central rather than as background.
The general anthologies
The Field Day Anthology of Irish Writing Volumes I–III (1991), general editor Seamus Deane. 4,044 double-columned pages. Volumes IV–V (2002), Irish Women's Writing and Traditions, ed. Angela Bourke, Siobhán Kilfeather, Maria Luddy, Margaret Mac Curtain, Gerardine Meaney, Máirín Ní Dhonnchadha, Mary O'Dowd and Clair Wills. Cork University Press in association with Field Day. ~3,000 pages, eleven years in the making, over 700 writers. The standard large-scale reference — and structurally unreliable on women writers across volumes I–III, where not one of the 44 section editors was a woman. Anything sourced from I–III must be checked against IV–V or elsewhere. Volumes IV–V are not an appendix: they are the most comprehensive corpus of Irish women's writing published. See women poets.
The Penguin Book of Irish Poetry A standard general anthology of Irish poetry.
Contemporary and specialist
Queering the Green: Post-2000 Queer Irish Poetry Ed. Paul Maddern. Lifeboat Press, 26 November 2021. ISBN 9781916222830. Paperback, 423pp. 31 poets. The standard contemporary LGBTQ+ anthology — see LGBTQ+ poets.
The White Page / An Bhileog Bhán Ed. Joan McBreen, 1999. Gathered Irish women poets of the twentieth century; a standard reference. See women poets.
The Wake Forest Series of Irish Poetry Wake Forest University Press — the main US publisher of contemporary Irish poets, and the usual route by which Irish poetry reaches an American readership. A series rather than a single anthology; it also includes an anthology of Irish women poets.
Green Carnations / Glas na Gile Ed. John Ennis. BookHub Publishing, late 2020. ISBN 978-1-8383142-1-7. 25 contributing LGBT+ poets from the island of Ireland.
Also worth knowing about
- Poems That Matter
- Windharp
- The Bloodaxe Irish Poets selections
Key single-author books cited across the dossiers
Not an attempt at a canon — these are books that the other dossiers refer to and that the directory will need records for.
| Book | Poet | Note |
|---|---|---|
| The Great Hunger (1942) | Patrick Kavanagh | Demolished the pastoral idyll of rural Ireland |
| Autumn Journal (1939) | Louis MacNeice | Long poem in 24 cantos, written on the eve of the war |
| The Rough Field (1972) | John Montague | Template for the Northern poets who followed |
| Mnemosyne Lay in Dust (1966) | Austin Clarke | On his own psychiatric confinement |
| Death of a Naturalist (1966) → Human Chain (2010) | Seamus Heaney | The arc of the career |
| North (1975) | Seamus Heaney | The Troubles book |
| The Irish for No / Belfast Confetti | Ciaran Carson | Invented a line adequate to the Troubles |
| A Disused Shed in Co. Wexford | Derek Mahon | Widely anthologised; dedicated to the novelist J.G. Farrell |
| Eireaball Spideoige (1952) | Seán Ó Ríordáin | Broke the Irish-language tradition open |
| Ceathrúintí Mháire Ní Ógáin (1956) | Máire Mhac an tSaoi | A sequence of love poems that scandalised its first readers |
| Aifreann na Marbh | Eoghan Ó Tuairisc | Long poem on the bombing of Hiroshima |
| Cúirt an Mheán Oíche (c. 1780) | Brian Merriman | Banned in English translation in 1946 while circulating freely in Irish |
| Caoineadh Airt Uí Laoghaire | Eibhlín Dubh Ní Chonaill | The best-known of the Irish oral laments |
| A Ghost in the Throat (2020) | Doireann Ní Ghríofa | Prose, but built on the Caoineadh; revived interest in Eibhlín Dubh |
| Object Lessons | Eavan Boland | Essays; the central critique of women's place in the Irish tradition |
| Stepping Stones (2008) | Dennis O'Driscoll | Book-length interviews with Heaney — the nearest thing to his autobiography |
| Things That Happen (completed 2020) | Maurice Scully | Twenty-five years on a single serial project |
| A Fool's Errand (2010) | Dermot Healy | Book-length poem on barnacle geese |
| The Wearing of the Black (1974) | ed. Padraic Fiacc | Difficult, essential Troubles anthology |
| Sruth Teangacha / Stream of Tongues | Gearóid Mac Lochlainn | Key book on bilingualism |
| The Slain Birds (2022) | Michael Longley | His last collection |
Major translations by Irish poets
A distinctive feature of the tradition: its major poets are also its major translators, and several of these are substantial books in their own right.
| Work | Translator |
|---|---|
| The Táin (1969) | Thomas Kinsella |
| The Táin | Ciaran Carson |
| Beowulf | Seamus Heaney |
| Sweeney Astray | Seamus Heaney |
| Dante, Inferno | Ciaran Carson |
| Rimbaud | Ciaran Carson |
| Love Songs of Connacht (1893) | Douglas Hyde |
| Homer's Odyssey, Sophocles, Dante — into Irish | Pádraig de Brún |
| Heaney, Tagore, Iqbal, Tintin, Astérix, The Gruffalo — into Irish | Gabriel Rosenstock |
| Ó Bruadair, Ó Rathaille, Haicéad | Michael Hartnett |
Bilingual facing-page editions are the dominant form for Irish-language poets reaching English readers — Nuala Ní Dhomhnaill's Pharaoh's Daughter and The Fifty Minute Mermaid carry translations by Muldoon, Heaney, McGuckian and Ní Chuilleanáin. The translator matters as much as the poet here: Muldoon's Ní Dhomhnaill is a different book from Ní Chuilleanáin's.
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