irishpoetry.ie

The long nineteenth century

Anglo-Irish poetry, the ballad tradition, and the last of the Gaelic song-makers.

Two traditions run in parallel and barely meet. In Irish, the song-makers continue — Antoine Ó Raifteirí travelling Connacht as a fiddler, Máire Bhuí Ní Laeire composing without literacy — while the language itself contracts under famine and emigration.

In English, Anglo-Irish poetry becomes a public instrument. Thomas Moore sets nationalist sentiment to traditional airs for English drawing rooms; Thomas Davis writes ballads designed as political tools, and they work. James Clarence Mangan, opium-addicted and dead of cholera at forty-six, produces the strangest poetry of the century from the margins of it.

This is also the period of the Ulster Scots rhyming weavers, and of women — Tighe, Lawless, Alexander, Tynan — whose reputations have moved considerably since.

159 poets, earliest first.

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