irishpoetry.ie

Mid-century

Modernists, the shadow of Yeats, and the remaking of poetry in Irish.

The generation after Yeats had to find a way out from under him. Austin Clarke adapted the assonantal music of Irish-language verse into English, then turned savagely on clerical Ireland. Patrick Kavanagh wrote The Great Hunger (1942) against the romanticised rural Ireland of the Revival, and argued later that the parish, not the metropolis, was where a writer's material was.

A parallel line runs through Thomas MacGreevy, Brian Coffey, Denis Devlin and Beckett — European, modernist, and largely ignored by Irish anthologies for fifty years. Louis MacNeice, claimed by both England and Ireland, wrote Autumn Journal and was decisively reclaimed by the Northern poets of the 1960s.

In Irish this is the period of the remaking: Máirtín Ó Direáin, Seán Ó Ríordáin and Máire Mhac an tSaoi between them made a modern literary poetry in a language that had become largely oral.

94 poets, earliest first.

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